When Fujifilm offered to lend me the XH2S, there was a lot I was looking forward to - new FLOG2 codec 10bit 4:2:2 , highest rated video dynamic range from a fujifilm camera, hybrid flagship (enjoying Fuji colours in both photo and video).

A camera made intentionally inefficient for the purpose of inspiration. Is this just a cop out? Or an excuse? Or does it actually make perfect sense. Check out the latest review as I try to make sense of the Fujifilm XPro3.

An unintended (and very much appreciated) consequence of starting a YouTube channel is finding myself in situations I would never have imagined. So when Fujifilm had kindly sent me the GFX 100S along with the GF32-64 F4 and 80mm F1.7 I decided to photograph something I had zero experience with.

Coming from a rigged out Blackmagic camera, the creature comforts offered by the Sony FX3 were almost jarring. I couldn’t believe what was possible with this tiny slab of a filmmaking tool.

It’s an odd proposition… $1,400 USD for a fixed lens camera when you can get an interchangeable one for the same (or less). Who is the Fujifilm X100V for and is it worth the price?

What’s the Komodo like to work with in a run-n-gun scenario. I had 24 hours to make a thing - these are my impressions:

24 hours with the Sony A7S iii and the Porsche Taycan.