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Celebrate air-cooled Porsche photography with the 2025 calendar by The Glass Eye. Stunning Vancouver settings meet timeless cars—order now!
A chance encounter with another photographer led me to Vancouver’s Flatsix Classics, Cars and Coffee and much more with the Fujifilm X-T50. Spontaneity, photography, and community collided in this unexpected shoot.
Discover the Fujifilm X100VI, a compact camera with Super35 capabilities and 10-bit 4:2:2 video recording. Join an unscripted photo walk, blending authentic images and screen grabs to showcase what makes this pocket camera so powerful.
Explore our photoshoot with the Fujifilm GFX 100 ii and Flatsix Classics Safari 911. We tested medium format filmmaking in rugged conditions, capturing stunning shots and pushing this flagship camera's limits.
When Fujifilm offered to lend me the XH2S, there was a lot I was looking forward to - new FLOG2 codec 10bit 4:2:2 , highest rated video dynamic range from a fujifilm camera, hybrid flagship (enjoying Fuji colours in both photo and video).
Vanishing Asia is a real monumental feat of a book. Spanning over 40 years traveling earth's largest continent, Kevin specifically aims his lens at the thousand year old cultures and traditions that are rapidly disappearing. With innovations in communication there's inevitable homogenization and Kevin is celebrating the differences.
In an attempt to redirect my attention to the present, I've started bringing my Fuji X100V along for my morning walks.
The term epic is too frivolously thrown around, but in this case it's an accurate description.
A camera made intentionally inefficient for the purpose of inspiration. Is this just a cop out? Or an excuse? Or does it actually make perfect sense. Check out the latest review as I try to make sense of the Fujifilm XPro3.
I managed to capture beautiful build by Flatsix Classics on two separate occasions with two very different approaches.
An unintended (and very much appreciated) consequence of starting a YouTube channel is finding myself in situations I would never have imagined. So when Fujifilm had kindly sent me the GFX 100S along with the GF32-64 F4 and 80mm F1.7 I decided to photograph something I had zero experience with.
Coming from a rigged out Blackmagic camera, the creature comforts offered by the Sony FX3 were almost jarring. I couldn’t believe what was possible with this tiny slab of a filmmaking tool.
My first unboxing video just happened to be a black Ferrari F40.